"There will be creatures on Earth who will fight each other unabated, with very severe losses and continuous death on both sides, their malice will not know borders, and in the vast jungles of the world, their wild friends will pay off a huge number of trees. Will want to satisfy their desire to cause death. "
This terrible prophecy was not written by biblical apocalypse.
it's called "The cruelty of men"
Data, about a year, of 1482.
Until then, his author, Leonardo di Piero de Vinci, The genius of this truth, was about thirty years old, and she was already "Monster of nature", As they are commonly called Super gifted.
A Polymer: From the Greek "polimathós" (He knows a lot of things).
But the word is rare for the inexhaustible Florentine native of Anzano on April 15, 1452. Because it was – at the same time! – Painter, anatomist, architect, planetologist, botanist, scientist, writer, sculptor (probably of one work: the Virgin and the Laughing Child), philosopher, engineer, inventor, musician, poet …
He came into the world, to the amazement of humanity, on Saturday and at ten-thirty at night.
Illegal child Abia, Piero Percino Di Antonio, the ambassador of the Republic of Florence, gave birth to Katerina Di Mio, 15, the daughter of poor peasants, and that Pierrot abandoned her and married her …
The child remained responsible for his paternal grandfather, Antonio
Autodidact almost absolute. He had just learned to read and write, he had received basic arithmetic lessons, and he had not learned Latin – which was the basis of teaching – but he was an early and ardent observer of natural life: animals, plants, rocks, rivers, celestial phenomena, The birds …
His maternal grandmother, Lucio Di Piero di Soso, a sarcasm, approached him at the plastic arts, and the boy drew and drew a dragon to fire. He gave the painting to a farmer in the neighborhood who sold it to a Florentine merchant, and that, to the Duke of Milan …
A curious episode became a bad omen: a kite flew over the cradle of our young child, and touched his face with tail feathers. According to popular perception, it was a sign of future happiness and wealth …
In 1469, at the age of 17, he began to work as an apprentice in the workshop of Andrea del Verrocchio: the best in Florence.
The first year was tedious: clean the brushes and sweep the floor.
But Roccio was eclectic: a goldsmith, a blacksmith, a painter, a sculptor, a founder … and Leonardo, an obsessive observer, grasped his master's alphabet. Chemistry, metallurgy, mechanics, carpentry, works on leather and plaster, drawing, painting and sculpture on marble and bronze.
From here on he takes the Mathematically, Who barely painted the school of his childhood, he controls smoking – the technique of dealing with the principle: a lift born two thousand years, created in Mesopotamia, and the man of modern calculators …
It reaches 20 years, and is listed in the Red Book of the Guild of San Lucas, which brings together Doctors in Medicine.
Because in addition to what he had learned and exercised, he was interested The Human Body, Its structure, organs, diseases, and was among the first to open corpses to learn everything The secrets of anatomy and physiology. A practice forbidden by the Catholic Church …
And suddenly at that time, create the "View of the Arno Valley or the view of Santa Maria delle Nue"A pen and ink drawing, and the beginning of his story in a painting that would embrace him as one of his holy monsters.
He painted only 32 Paintings (Registered: if there are more, they are gone). But 11 are elementary: the Gospel, a portrait of Ginevra Benssy, the Virgin of the Rocks, the Vitro Man (Study of the Proportions of the Human Body: the Union of Science and the Arts), Lady with Armain, La Belle Fronier, The Last Supper, Salvatore Mondi, (And Mona Lisa), the Virgin and the Child in Santa Ana, and San Juan Bautista.
Of course, the biggest celebrity within the frame is The Mona Lisa.
Oil on wood, 77 cm x 53 cm, in the Louvre, painted between 1503 to 1506, the woman is Lisa Gherardini, the wife of Francesco del Gondo and Cundo.
In addition to the beauty and technique of "Spumato", the centuries pass and there is still discussion of her A mysterious smile Ridiculous, mocking, hiding a secret, and so on?
All "smiling" with his little book …
He even risked that model … it was Leonardo himself!
After, or in the first place, depending on who the judges, is The Last Supper, An amazing recreation of the final act of Jesus Christ with his disciples.
Painted between 1493 and 1498, 4.6 x 8.8 m, the monastery of Santa Maria della Grazie, Milan, is a wonder of the car's positions … but also the most damaged work.
He mixed fresh tempura (water and egg) and oil on layers of plaster, which affected the length of work, as well as the time elapsed, millions of visitors (breathing, coughing, sneezing, Sweat, voices), subjected to many renovations, is far from the original …
King Louis II attempted to cut the wall with work and take it to France, and Napoleon Bonaparte centuries later.
In mathematical terms, it is not possible that during his 67 years of life – he died in Ambois, France, on 2 May 1519 – he covered 50,000 sheets with texts, notes, projects, and architectural and engineering drawings of his inventions. Some, unthinkable more than five hundred years ago, even by the most feverish mind …
for example, The bike, Not very different from the current. or car, Made of wood and operated by springs with gears. Or hers Flying machine – The plane – inspired by bird flight. Or the revolving bridge, the motorboat, its battle car (a direct predecessor of the modern war tank), its air screw (the grandfather of the helicopter) …
And more … A leather diving suit with a diving suit: a taste of underwater life. Instruments for measuring weather, humidity, climate. Hydraulics for hydraulic systems. The tools are the giant rainbow and the heir, the triple mortar. The design of an ideal city, born after an epidemic that killed a third of Milan's population. Robotic arm and knight: with pulleys, gears and gears, introduction to robots of the 21st century. The swivel bridge. Ball bearing. Scissors! The rotary crane. The catapult. Printing system. spit! (Argentines, grateful …). Textile machinery (the precursors of these industrial revolution was to produce in the middle of the XIX century …, and up to the plane of five-sided force …, as the Pentagon of the United States, and no accident …
Leonardo lived, thought, created and worked among strong characters. Some are cruel and murderous. Others, tyrants. Others, Plotters. The two notorious surnames were the Spursa and the Mitsui.
They said: "They created me, they destroyed me." A reaction to his failed move to Rome, where only light work was imposed upon him.
They were times of wars between cities, corruption, murders (dagger or poison), and artists of their art makers.
It was Renaissance. The explosion of life after the long darkness of the Middle Ages. An explosion in which everything beats: wonders and suffering.
Well, it was the beginning of Charles Dickens in his book "City of Two Cities": "It was the best time, it was the worst of times, the age of wisdom and of madness … faith, the age of light and darkness" …
Mario Locartini, a great Italian scientist (1947-2002), spoke of the unceasing genius:There had never been another man in the world who knew just like Leonardo. Not so much in painting, sculpture and architecture, but in philosophy"
Of course, a private life researcher did not respect Leonardo and his sexuality.
Not even Sigmund Freud … who ruled: "His homosexuality was
Hidden, but did not act according to their will. "
He was accused of sodomy, whose punishment was death, but he did not thrive; it was an anonymous plot.
In a famous passage from his notebooks he wrote: "The act of puberty and everything that has something to do with it is so unpleasant that people will soon die if there are no beautiful faces and sensual experiences."
He was wild and had no children.
He spent many years with two young men: his students Jean Akomo Caprotti de Orno, nicknamed "Szalay" (Satan) and Count Franciscus Melzie, son of the Milan aristocrat.
Szalay entered Leonardo's studio at the age of 10, and the "little devil," as the teacher called him, immediately stole money and a piece of Turkish leather he had sold to buy sweets. Leonardo accused him of "a thief, a liar, a stubborn and a gargle." His passion: buying shoes and wandering the streets. But despite all the genius kept him as a model and assistant until the age of 16.
As for Melzi, who entered the workshop as an apprentice at the age of 15, accompanied Leonardo until his last days in France, and then faithful to his notebooks.
In a letter written to the teacher's brother, he relates that the relationship with his students "Sousserrat and Amora Arredentissimo(A deep feeling and burning love).
(To whom it is interesting, that draw conclusions. Frankly, it does not matter)
"Leonardo was a brilliant speaker who charmed Ludovico to his teacher with his wit, his appearance was impressive and beautiful, and his glorious presence brought consolation to the most important soul," according to Italian architect and painter Vasari Vasari. Physically he was so strong, he could stand violently, but with his right hand he could bend the iron ring of the door knocker or hoof, as if he were made of lead, he was so generous that he gave food to everyone, rich and poor. He was the greatest left artist of all time"
(Note: following his left hand he wrote in front of a mirror, from right to left).
Nothing or almost anything of the machines that operate today in the world; None of those rising above the cities and what is disturbing their subsoil, nothing of this mechanism does not cross the sky or sail at sea, a stranger to Leonardo da Vinci.
He left the world exactly five hundred years ago.